Friday, July 06, 2007

Defending genre reads

  • Michael Chabon gets interviewed by The Onion A.V. Club.
A surprisingly high quotient of softball questions here, but still worth a read.
AVC: You've been very vocal about genre fiction being excluded by the "gatekeepers of the literary canon." What, in your mind, makes a genre?

MC: I don't have a problem with many uses of the word genre, just certain ones. I have the most trouble when these labels are used to prevent discussion, to prevent a work from being taken seriously as literature. When we say "genre," we generally mean "something crappy," something that would be sold in an airport. I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader. I subscribe to Sturgeon's Law, which is that "90 percent of everything is crud." I'm trying to say that they're all inherently equal—it's not what you do, it's the way you do it. The percentage of excellence isn't any higher in what's called literary fiction.

1 comment:

franQ said...

Hearing all this talk of the new Chabon release makes me a little sad…

A year ago, I would have been thrilled and no doubt attended his book signing. He’s been my favorite author since I first read his debut novel THE MYSTERIES OF PITTSBURGH back in the early 90s.

But I can no longer support the work of an author who has no regard for the story and characters that put him on the literary map.

In case you haven’t heard, there’s a film version of MOP coming out later this year… Written and directed by the guy who brought us DODGEBALL, in which he’s CHANGED 85% of Chabon’s original story.

And the sad part is… Michael Chabon himself APPROVED of the script! WHY would he do this? I can only think of one possible answer: $$

If you are a Chabon fan, esp MOP, I suggest you do NOT see this movie. You will be sadly disappointed at the COMPLETE removal of the gay character, Arthur Lecomte, and the fabrication of a romantic love triangle between Art Bechstein, Jane Bellwether, and a bi-sexual Cleveland Arning. And really, what is MOP without the presence of Phlox Lombardi? Alas, she’s barely in it.

For a copy of the script email: bechstein[at]yahoo[dot]com