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Interviewed at his house in Provincetown, Mass., shortly before that book’s publication, Mr. Mailer, frail but cheerful, said he hoped his failing eyesight would hold out long enough for him to complete a sequel. His knees were shot, he added, holding up the two canes he walked with, and he had begun doing daily crossword puzzles to refresh his word hoard.
On the other hand, he said, writing was now easier for him in at least one respect. “The waste is less,” he said. “The elements of mania and depression are diminished. Writing is a serious and sober activity for me now compared to when I was younger. The question of how good are you is one that really good novelists obsess about more than poor ones. Good novelists are always terribly affected by the fear that they’re not as good as they thought and why are they doing it, what are they up to?
“It’s such an odd notion, particularly in this technological society, of whether your life is justified by being a novelist. And the nice thing about getting older is that I no longer worry about that. I’ve come to the simple recognition that would have saved me much woe 30 or 40 or 50 years ago — that one’s eventual reputation has very little to do with one’s talent. History determines it, not the order of your words.”
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