Leave it to Steve

• Stephen King speaks the truth about Stephanie Meyer in USA Weekend.

..."I think that has some kind of formative influence the same way reading Richard Matheson had an influence on me," King explains. "People always say to me, 'Well, what about H.P. Lovecraft?' And the thing was, you read Lovecraft when you were a kid but I never felt that he was speaking my language. It was chillier than my heart was, and when Matheson started to write about ordinary people and stuff, that was something that I wanted to do. I said, 'This is the way to do it. He’s showing the way.' I think that I serve that purpose for some writers, and that’s a good thing. Both Rowling and Meyer, they’re speaking directly to young people. ... The real difference is that Jo Rowling is a terrific writer and Stephenie Meyer can’t write worth a darn. She’s not very good."

Massive fail

• Lawrence Osborne gives book publishers a piece of his mind in Forbes.

A bit of "why don't I get a $6.8 million advance?" whining, a dash of "the public is filled with idiots who don't read," and a smidgen of "things are going to hell" fatalism. Happy holidays.

But just as newspapers are dooming themselves by cutting the very thing they alone can provide--in-depth, on the spot reporting--so publishing houses are dooming themselves by trying to run in somebody's else's rat race and cutting the very thing we turn to them for: writing itself.

It's like American Airlines cutting the olives in Business Class salads. All that happens is 1) American becomes a tacky, risible airline and 2) people fly on Emirates.

Americans love bloviating about the "death" of this and the "emergence" of that. But a culture of multiplicity simply offers the inquiring mind different things for different moments. Books don't actually compete with the Internet or movies, and never did.

Oh, and a fact: most people I know around my age or younger don't know who Houllebecq and Bolano and Sebald and Coetzee are, so Osborne's nepotistic "the youth will save us" capper is not to be trusted either.

Writers have to be the underdogs. We need to be. Complacency is the death of relevance, especially in literature. Being way down on the list of Americans' favorite pastime -- judging by any given poll lately, we're hoving somewhere between macrame and toenail-clipping -- gives us something to fight that much harder for.

Oh, and by the way, looking at someone reading Stephanie Meyer and saying, "Well, at least they're reading" is like looking at overweight slobs pounding down Twinkies and saying, "Well, at least they're eating." That is all.